Friday, April 5, 2013

Review of "love actually"

Cynics may be sick, ro homotics will feel their spirits soar. Richard Curtis returns.

The author responsible for the biggest British hits of the last ten years - quatern Weddings And A Funeral, Notting Hill, Bridget J hotshotss Diary - directs this vibrant romantic comedy, blending competition with good sense by filling the profuse part of his multi-storied script with excellent, experienced actors, and rising young stars.

BILL NIGHY IS promising

Ten stories intertwine, loosely connected by friends of friends, family and next-door-neighbours. Theres the new, bachelor prime government minister (Hugh Grant) falling for the tea young woman (Martine McCutcheon); his sister (Emma Thompson) suspecting her husband (Alan Rickman) may stray; her helpmate (Liam Neeson) grieving over his wifes death; his stepson (Thomas Sangster) longing for a girl from school...

The writer (Colin Firth) heartbroken in France; his newlywed friends (Chiwetel Ejiofor and Keira Knightley) whose best man (Andrew Lincoln) acts oddly; their Yank friend (Laura Linney) who wants a beau in Blighty; the sex-starved Brit (Kris Marshall) heading to the sexed-up United States; his best mates comrade (Martin Freeman) falling for a pornstar stand-in.

And bestriding it all, Bill Nighy is brilliant as a washed-up Rod Stewart-alike rock singer, whose coarse cover of the Four Weddings... prow song is climbing the charts towards a seasonal number one: Christmas, he sings, is all around.

A SOFT FOCUS niggling CUTS

Inevitably, some strands are almost forgotten and actors underused.

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A subdued focus Short Cuts, the movie lacks the layered fluency of Robert Altmans trifle - or the hard edge. But while theres enough mire to turn a bee diabetic, it is not without raw emotional moments - with Thompson striking in a tear-duct tingling scene.

You can almost go out Curtis pressing the emotional buttons, but he does it so intimately you wont care. Warm, bittersweet and...

I couldnt agree more, particularly with regard to Emma Thompsons performance, which was achingly poignant. Hugh Grant dance in no 10 though is a stopple!

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