The Oldest Living Thing In L.A by Larry Lewis

1). The traffic is personified to show the inert nature of urban life and the basic fact that cars are as numerous as people in Los Angeles.

The vocaliser conveys empathy for the opossum and his journey, meant to emit empathy from the audience for the solitary traveler in the dangerous autobahn of L.A. life. People who exist the bars would approach "as if somehow to help," but the fearsome nature of the wild wolf keeps them back, (Levis, 1997, p. 1). Like many strangers would like to help but seldom intervene to help a stranger in L.A., so the speaker portrays the opossum. The poet also employs allusion to refer to the Trojan War and separate antiquities like the "fragments of ruins / In the grass at San Vitale," in purchase rules of order to show that L.A. is a place with no real muniment or historical roots, (Levis 1997, p. 1). The author also uses these allusions to show that one is often rootless living in the urban hobo camp of Los Angeles, often feared by others as others fear the opossum.

The poet also employs the use of figurative imagery other than p

ersonification and allusion. He also uses metaphors and similes to help convey the urban hobo camp as something from ancient culture, like the Middle Ages.

For the Animal domination person who will have to be woke up to have it off and get the opossum will be dressed in "mailed gloves, the kind of thing / Small knights once wore into battle," (Levis, 1997, p. 1). The speaker is using sarcasm here to show that the urban jungle pales in comparison to the heroics of ancient cultures.

Levis, L. The oldest living thing in L.A. Elegy, 1997, p. 1.

In conclusion, we see that Levis uses a variety of techniques in order to provide a story of an opossum crossing a busy street in an urban city to disclose some truths about gentleman's gentleman existence for those living in such an environment. As such, because of the techniques employed by Levis, the poems subtext provides a human feature that many living on their own in Los Angeles and other urban cities can relate to, as conflicting to merely repeating the story of an opossum that is attempting to cross a busy street. In this manner, the poem moves from a unique experience of the speaker
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